My Oscar Results
March 8, 2010

18/24. A good ceremony. I blind guessed on the shorts and got one right. Go me.

Every year I think that Best Foreign Language film will go to the critics’ pick, but it never does. Ever. When will I learn?

I knew Sandra would win, but I feel more honorable cheering for Meryl.

‘Precious’ winning screenplay is a joke. It is quite possibly the worst script out of any of the nominees.

Pretty much all the other winners were expected or deserved. As I’ve said so many times, glad QT’s horrible grammar didn’t win.

I didn’t watch the ceremony live though, but I heard it was awful and boring. I am not surprised.

82nd Academy Awards (Oscar Predictions)
February 23, 2010

I’ve put this off for a while for a few reasons, the first of which is: This will be a damn weird year. There are ten Best Picture nominees, but also there is a weighted ballot system (rank your films from 1 to 10, as opposed to check your favorite and that’s it). Plus, I’m in Korea so it is unlikely I will be able to watch the Oscars live, so I may as well have some fun with my predictions this year.

It’s also a weird year because the movie winning most of the awards if ‘The Hurt Locker’, which made practically zero money, and the movie winning almost no big awards, ‘Avatar’, made the most money ever. Here’s a rundown of what I think will win and what I would vote for.

Best Picture
Prediction: The Hurt Locker
My pick: Avatar

There are plenty of good movies, but everything nominated has flaws. I’ve listed them elsewhere so I won’t retype them here. ‘Avatar’ deserves to win because it was the most seen movie of the year, by far, and it will be remembered (by some, spitefully) many years from now. I do have a feeling, though, that ‘Inglourious Basterds’ may be closer to the top prize than most think….

Best Director
Prediction: Kathryn Bigelow (for ‘The Hurt Locker’)
My pick: Kathryn Bigelow

She deserves it, she was the best director of the year, give her the Oscar.

(more…)

Oscar Nominations 2010
February 2, 2010

The nominations have been announced and they are pretty much what was expected. Some of the big categories and brief comments below.

Best Picture
“Avatar”
“The Blind Side”
“District 9”
“An Education”
“The Hurt Locker”
“Inglourious Basterds”
“Precious: Based on the Novel ‘Push’ by Sapphire”
“A Serious Man”
“Up”
“Up in the Air”

If there was any sense, ‘An Education’ would win. But we are certainly looking between ‘Avatar’ and ‘The Hurt Locker’, both of which are good films. If it was the traditional 5 I would cut out ‘Precious’, ‘Up’, ‘Up in the Air’, ‘The Blind Side’, and ‘Inglourious Basterds’, but that’s just me.

And it is a shame ‘Up’ finally pushes Pixar into a best picture when ‘WALL-E’ was at least twice as good and snubbed last year. Such a shame.

Best Direction
“Avatar,” James Cameron
“The Hurt Locker,” Kathryn Bigelow
“Inglourious Basterds,” Quentin Tarantino
“Precious: Based on the Novel ‘Push’ by Sapphire,” Lee Daniels
“Up in the Air,” Jason Reitman

Give it to J.C., in my opinion, but Bigelow has this all but locked up.

(more…)

(A Belated) Top 10 of 2009
January 31, 2010

This is about four weeks belated, but, as they say, “Oh well.”

And with a new year starting, an old one comes to a close. Some films from 2009 have settled in my mind over the last few weeks (or months) as great, and other have faded. That is truly the test of a film’s strength. So here is the Top 10 of 2009.

1. The Informant!

Steven Soderbergh has been very prolific lately, and despite the shallow ‘The Girlfriend Experience’ released earlier this year, he also directed ‘The Informant!’. This film manages to deal so well with deception, family issues, mental health issues, and even moral dilemmas — all in the most creative of ways. Credit is also obviously due to the great screenplay (by Scott Z. Burns), the book (by Kurt Eichenwald), and an excellent performance by Matt Damon.

2. An Education

This is a cute, touching film about a girl who discovers a bit about life and a lot about herself through her relationship with an older man. It is wonderfully made, but the film belongs to Carey Mulligan. Read more writing by me on the film here.

3. Avatar

This is the most entertaining film of the year. Yes, the script has problems, but those are more than compensated for. The visuals are unlike anything seen before (in 3D — I will admit the visuals may disappoint in traditional 2D) and, despite some writing flaws, we do still care about Pandora, the Na’vi, and the characters. And now that it’s the highest grossing movie ever, James Cameron has much to celebrate.

4. A Serious Man

A sad, humorous film about a normal man who has more than his share of troubles. The Coen Brothers pose some interesting questions about ethics, faith, and logical reasoning in their newest success. Read more writing by me on the film here

5. Coraline

When I started this list about 2 months ago ‘Coraline’ was the film to beat. This says two things: First, that 2009 was a relatively weak year for films (which is true), and second, that animated films outside of the Disney/Pixar realm have come a long way. Coraline is a cute, bratty girl who learns a thing or two, but the way she learns it is unique and visually stunning. And at times, very cringe-inducing.

6. The Hangover

Now this is a funny movie. There are no tricks or gimmicks. It was funny in theaters, and funny again on DVD. I’ve always liked Todd Phillips’ work (even critically panned ones, like ‘Old School’ or ‘Road Trip’), but here he hits a high point. There is not a full moment to be had.

7. The Hurt Locker

This is a gripping film, a great thriller, and should not be categorized as a “war” film because this is hardly about the war. This is not the perfect film many critics lead us to believe it is (the characters only have a three-point arc and some scenes are nothing more than anecdotal), but it is carefully crafted and very entertaining. Read more writing by me on the film here.

8. Fantastic Mr. Fox

It seems I’m spamming this post with “entertaining” and “creative”, but I promise that they are justified. Wes Anderson and frequent collaborator Noah Baumbach have made a fun film that can be enjoyed equally by children and adults. It was a great year for animated films.

9. The Cove

This is a documentary that doubles as a thriller and, in the end, a horror film. The second act of the film has problems with pacing, but that may just be because my brain is used to traditional films and I’ve only seen a few dozen documentaries. While maybe only the 9th best film, it is the most important and everyone should see it.

10. Inglourious Basterds

I am including this film simply for Tarantino’s effort. It was bold, but I don’t think the film is the masterpiece so many are pegging it as.

And there you have it. 2009 was a year of a few greats, many goods, and a plethora of awful movies. Bring in 2010.

Waiting on 4 Stars
January 12, 2010

2009 has closed and I have seen most of the films that I want to see, and almost all of the films I need to see. Being in South Korea has delayed this process a bit, but it has occurred nevertheless.

One thing that I have noticed is that I am still waiting for at least one amazing release for 2009. I don’t think it is too much to ask for just one. Sure, there have been plenty of good films, but they have all lacked that little extra zzingh to make them great. It also doesn’t help that we had a phenomenal and a good year before (2007 had The Savages, Zodiac, No Country for Old Men, The Diving Bell and the Butterfly, There Will Be Blood–2008 had WALL-E, Revolutionary Road, Slumdog Millionaire, and In Bruges. All of these are great films).

At least from the list of serious award contenders, let me give a short round-up:

The Hurt Locker: 3.5/4 – Great, but lacking an emotional core.
Avatar: 3.5/4 – Superb entertainment, but a bit too predictable.
Invictus: 3/4 – Means well, but seriously? Yawn.
Up in the Air: 3.5/4 – Good, and Anna Kendrick deserves praise, but lacking the aforementioned zzingh.
Precious: 2/4 – Don’t get me started. This uses every gimmick in the book, is painful to watch, and ends up exactly how you expect.
A Serious Man: 3.5/4 – Love the Coens. This is good, but not their best. They will never best Fargo.
Fantastic Mr. Fox: 3.5/4 – Entertaining. A good flick. Nothing spectacular.
An Education: 3.5/4 – Carey Mulligan deserves every award there is, but the film doesn’t deliver on all the levels it promises.
The Cove: 3.5/4 – Great, and more than anything, important, but a bit lackluster in the middle.
Inglourious Basterds: 3.5/4 – It would be nice if the Basterds were actually in this disorganized movie.
District 9: 3.5/4 – Yet again: Good, but with a predictable outcome and message. I want something unexpected!
500 Days of Summer: 3/4 – Give me a break. Starts good, has some good scenes, but ultimately corny.
Up: 3/4 – Has its moments but hardly up to Pixar quality. Barely places above ‘Cars’.
Star Trek: 3/4 – How is this a serious awards contender? Popcorn flick.
The Hangover: 3.5/4 – Great comedy, but still has a few problems.
Julie & Julia: 3/4 – Meryl is good, but not a good movie at all.
Coraline: 3.5/4 – Very enjoyable.

I realize my comment became more bitter as I got to writing. Oh well.

With all of this said, if I had to pick the best films of the bunch, it would be ‘An Education’, ‘The Hurt Locker’, and ‘Avatar’. I can support any of those three for the win. But is it asking too much to be wowed? I should think not.

The Hurt Locker
December 21, 2009

There is plenty of finesse in the way ‘The Hurt Locker‘ unfolds. Superficially, it is merely a string of anecdotes about bombs; however, our commitment to Sgt. Sanborn and SSgt. James intensifies everything so much that we feel like we’re part of their Company.

Sanborn is all about the rules, and James is all about the adrenaline. Putting opposites on the same team is not a new story-telling technique, but the execution of this particular story is what makes it so good. People get into trouble. People die. James and Sanborn brawl while drunk and hit each other nearly hard enough to break some ribs. This is gritty and the characters have some problems, yes, but when put in front of a bomb, James is nothing but the best. His methods, however unorthodox, work.

(more…)